The 2023 Jonny Numb Tour (Updated)

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As the seasons change…and the grains in the hourglass wind down to their inevitable finish…(and other cliche ways of saying, “wow, the year sure is going fast, isn’t it?”)…I come to the existentially troubling realization that it’s been almost exactly 3 months since my initial 2023 tour update, and there have been some additions to the listing.

So, for those who might be interested in stalking me via live music or other “in person” events, feel free to print this page for your “Jonny Numb (Not His Real Name, Which I Know)” file!

For any like-minded folks in the area who might be interested in any of these shows, I’ve linked to the ticket sites for your convenience.

(Note: this list is as much for me as it is for anybody who might stumble across my blog. Therefore, any concerts listed in my previous post that have yet to happen will also appear below.)

(Additional Note: I will not be seeing The Cure on June 24. In all honesty, I’m more than okay with not having to deal with the drunks and parking nightmare of the Wells Fargo Center.)

(Extra Additional Note: for shows with a *, tickets are either not on sale yet…or I’m waiting for payday to purchase…or I’m tentative…or one of any other myriad of excuses my mind conjures to flake at the last second…)

(Yet Another Note: The double- and triple-asterisked items will be explained after the listing proper.)

July 7 – 8 – VHS Fest @ The Mahoning Drive-In (Lehighton, PA)*

July 13 – Skold (Lovedrafts Brewing Co, Mechanicsburg)

July 16 – A Tribute to George A. Romero @ The Mahoning Drive-In (Lehighton, PA)*

August 1 – Tunnel Vision Tuesday: Deliverance @ The Mahoning Drive-In (Lehighton, PA)*

August 4 – Powerman 5000 (Lovedrafts Brewing Co, Mechanicsburg)

August 11 – James Bond Triple Feature @ The Mahoning Drive-In (Lehighton, PA)*

August 19 – Splatterfest XI @ The Colonial Theatre (Phoenixville, PA)

August 22 – Tunnel Vision Tuesday: I Spit on Your Grave @ The Mahoning Drive-In (Lehighton, PA)*

August 30 – The March Violets (Metro Gallery, Baltimore)

September 7 – The Mission UK (Phantom Power, Millersville)

September 8 – Rob Zombie/Alice Cooper (The Pavilion at Montage Mountain, Scranton)**

September 8 – Stabbing Westward (Baltimore Soundstage, Baltimore)**

September 30 – Swans (Music Hall of Williamsburg, Brooklyn)

October 17 – September Mourning (Lovedrafts Brewing Co, Mechanicsburg)

November 1 – My Life with the Thrill Kill Kult (Harrisburg Midtown Arts Center, Harrisburg)

November 16 – Tool (Wells Fargo Center, Philly)***

I feel like I’m missing at least one…if I stumble across it, I’ll add it here later.

(** = No, that’s not a typo; I have two show options for September 8. While the Zombie/Cooper/Ministry/Filter show was announced months ago, the handful of Stabbing Westward dates were announced around June 12. While I’m not the world’s biggest SW fan – honestly, ‘What Do I Have to Do’ is probably my favorite track by them – I am the world’s biggest I Ya Toyah fan****, and she’ll be opening for them. And Baltimore is an easier – and shorter – drive than Scranton. We’ll see how plans shake out.)

(*** = I know, I know…after grumbling about the Wells Fargo Center and the people getting trashed on overpriced, watered-down beer and the nightmarish traffic clusterfuck of spending an hour-plus waiting to get out of the parking lot, I am looking at the Tool show as an opportunity to reconnect with a band I haven’t seen live since 2002, and to get a different perspective on the performance (literally – I picked the nosebleediest of nosebleed seats, in part because they were the cheapest available when I checked the WFC website last week).)

(**** = Unreliable, subjective assessment by author. Please don’t sue.)

It’s a quandary, for sure…

4 responses

  1. Chris Broadstone

    Seems my crazy comment is still missing for this post. lol. Hmmmmm…

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  2. Chris Broadstone

    You are a master-of-touring and a physical-media sagacious-madman to aspire to. 🙂 Long live artistic exploration and physical-media ‘focus’––just because “things you can touch” (not onanism) remind you this world isn’t purely about solipsism and social media (a mockery of truth) and virtual tripe-as-god. The end result of art should always be physical (IMO), or it does not truly touch this world or genuine reality or another sentient being. Art is not a superposition (except in the mind); it is not Schrodinger’s Cat (except from virtual perspective); it is not a law of probability that allows for an infinite array of simultaneous possibilities (except in virtual vitro). Art is empirical and only matters if you can see it, hear it, and feel it in your hands––in your bones and in your soul. It is not merely ones and zeroes (binary) on a hard drive and in a cloud. And art is far from ‘nonbinary’, because art is “cause and effect”, and that is always ‘binary’ and further sustains the truest and simplest law of Newtonian physics. Art is biological. Touch, hear, and see art––be affected––and be healed of the ‘Surrogate Disease’ that has become the plague of at least two generations. A plague of informality and uniformality and sizzling mind-wash. A plague of mentally-deafening white noise that has become the sad (and cancerous) global anthem of the 21st Century (and the imagination). 🙂

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    1. Jonny Numb

      Absolutely. Positively. One hundred percent! I’ll admit that my cleaving to the tangible “product” (for display and creature comfort purposes) is a holdover from childhood, when my dad picked up a previously-viewed VHS copy of FIELD OF DREAMS from our local Blockbuster. The notion of being able to physically “own” a movie and play it at our leisure in the privacy of our own home (yup, we watched the hell out of that one) was truly exciting, to the point where, when I started working and earning my own money, most of it went toward movies and music. Because, at the time, owning the physical version was the only real option for “owning” a piece of art. And while some claim the death knell of physical media, I am still able to pick up almost any movie or album I want on some physical format (the same can’t be said for streaming services). The fact that there are artists who see value (even if it’s just “nostalgia”) in pressing their album to a limited run of CDs or vinyl records to this day tells me that they realize there is still an audience who appreciates having something tangible for their collection. And the more tangible it is, the greater our connection to it. I don’t get the same feeling when the YouTube algorithm shuffles the queue based on what I’m currently watching/listening to.

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  3. Chris Broadstone

    I just tried to repost my comment today (8.11.23), from 6.21.23. And voila! It magically appeared this time. lol. Enjoy. For what it’s worth––a few months late and few dollars short. 🙂

    Liked by 1 person

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